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The Rules of the Game is a movie which is based on a parody of the then-modern or contemporary higher class French society in the late 1930's and just prior to the World War II. The original French title of the film is 'La Regle du jeu' and its director is Jean Renoir who is also its writer and bears a role as well in the movie. The movie was casted as the biggest commercial failure for Renoir at the time of its release and was repeatedly banned due to a number of reasons including its long duration and the eruption of the World War II. Its real prints were vanished during the strikes of World War II but it later (until the 1950's) was redesigned almost completely by French film makers Jean Gaborit and Jacques Durand in cooperation with Jean Renoir. Today the film has been applauded and considered as [url=http://www.maximoupgrade.com/hot.php]hollister france[/url] one of the best films ever created in cinematic history. The main cast of the film comprised of Nora Gregor, Paulette Dubost and Marcel Dalio.

[url=http://www.mquin.com/giuseppezanotti.php]giuseppe zanotti pas cher[/url] Long Take and Deep Space Composition
A long take is an unaltered or uninterrupted shot in a film that lasts much longer than usual shots in the same film or in general relative to others. It is carried out so as to enhance dramatic feel and narrative effect in the film. It is created normally using a special camera that could remain [url=http://www.maximoupgrade.com/hot.php]hollister[/url] steady instead of shocks and imbalances, a Steadicam.

Deep Space
A film uses the element of deep space [url=http://www.mxitcms.com/tiffany/]tiffany[/url] when noteworthy characters of an image are placed both near to and far away from the camera. Here, there is no need to focus on the elements in the image as what is the significance of deep focus. Often, directors want to show the real distance between two objects in a scene to the audience and that images near and distant to the camera are both important. The way of staging in a deep space composition is almost the opposite of shallow space. Jean Renoir is one of the directors who use deep space and deep focus in their films as their signature element.

From the Film
There are a number of sequences or scenes in the film with a long take [url=http://www.1855sacramento.com/peuterey.php]peuterey[/url] and deep space composition. A sequence that can be discussed here is of the stage drama which is performed in a horror genre to entertain the audience. It is a fascinating stage show with interaction with the audience and a piano score as well in the background. This sequence is a single shot with no editing and cuts and a heavy effortful camera work has been done to depict the drama and narration in it. The scene lasts for at least 1 minute 50 seconds without any halts. This sequence [url=http://www.1855sacramento.com/moncler.php]moncler outlet[/url] pertains to a climax in the film which is a famous house party sequence in which there is a stage performance by amateurs to entertain guests and neighbors.

This sequence has been applauded as one of the best moves to show the work of long take and deep space compositions together with no cuts. Characters [url=http://www.1855sacramento.com/moncler.php]moncler sito ufficiale[/url] present are [url=http://www.mxitcms.com/abercrombie/]abercrombie[/url] all guests and neighbors with non-professional but enthusiastic actors on the stage entertaining and interacting with the audience. The camera work carried out by Renoir in this sequence is phenomenal. The camera is moving forward and background for more than six or seven times; moving from audience to the stage and then to the backstage, forward into the house to the [url=http://www.1855sacramento.com/woolrich.php]woolrich outlet[/url] rooms and corridors and almost everywhere in the house. This camera work is quite appreciable effortless. Each and every character is visible whether near or distant to [url=http://www.1855sacramento.com/peuterey.php]peuterey outlet[/url] the camera which shows that a long [url=http://www.achbanker.com/homes.php]hollister[/url] take and a deep space both have been utilized efficiently. While watching this sequence, a user can see all the movements of characters and the clear picture of the background animations going on; this is an imperative attribute of a deep space composition that every character is visible and [url=http://www.1855sacramento.com/woolrich.php]woolrich[/url] not blurred.The light work which seems like lanterns being floated in the air by those performers on the stage is quite nice of a work (Ebert R. 2004).

Purpose of such sequences
The purpose of long take or deep space compositions is to enhance the portion of drama into the film and to make it more entertaining for the audience, also to clearly visualize all the elements present in the sequence in their own roles and positions. The important characters and their roles are positioned in front of the camera whereas others are in the background but they are in scope as well and they possess their respective roles and actions. This is a difficult task but an accomplished one is definitely acclaimed by the audience and critics. The pattern of long take and deep space compositions in the film goes to an end when Robert is filmed killing Andre accidently for which he explains to his guests as an accident and not a murder. He is also shown with his passion for mechanical instruments and music and with him depicted as the one who has interpreted the game correctly and not being indulged in romance seriously. This has been filmed as one of the last shots of the film and which brightens up the lost theme of the film which was to overcome and feel joy at times of war, bloodshed and losses.

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